![]() As he claims more and more of his father's legacy, his inner ruthlessness comes out, clouding any compassion he once possessed. Michael, meanwhile, starts the film as a young man trying to figure out his life's path. When his power is stripped away, he becomes a doting grandfather. Coppola presents Don Corleone as an omniscient being from the beginning of the film, and by his death, he is just a scruffy old man lying in a tomato patch. At its core, The Godfather is a study of how Michael and his family are changed by the ebbs and flows of power. PowerĬoppola wrote in his production notebook, "'POWER, POWER, POWER, POWER, POWER - never forget that it is from a fascination of the limits and manipulations of Power that keep people interested in this book'" (Jones 25). At first, these worlds can co-exist harmoniously, but as the film goes on, the boundaries start to collapse. The nature of organized crime forces each of the characters in the film to essentially lead a double life - one in the light, and one in the shadows. At the end of the film, Michael is being catechized while a massacre he planned for is being carried out. Behind closed doors, however, they discuss drugs and murder. ![]() ![]() Similarly, the Corleone family works out of the Genco Olive Oil Offices, the company that serves as a front for their illegal dealings. Don Corleone is careful to keep these two worlds separate. He meets with various constituents and determines whether or not he can help them with their problems through illegal means like bribery and violence. Inside the house, her father, Don Vito Corleone, conducts his business. On the lawn of the Corleone Mall, Connie Corleone is getting married to Carlo Rizzi with much pomp and circumstance. In the opening sequence of The Godfather, there is a clear line between public and private.
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